In the light of the news (journalist in tianming), an image of tourists is emerging in the city of hwangshan, the well-known city of anhui, which is known as "china's painting country". A number of tourists came to the village to play cards and to feel the impact of the ancient buildings of insignia on this village。
The statues of wood, stone and bricks are clearly visible on the parts of buildings such as card workshops, door buildings, stone boards and leaks. Both construction components and home-based equipment are of a strong geographical style and focus on carvings. The three sculptures of insignia are very well integrated into the architecture, and their layout, layout, decorative beauty, fineness of construction and depth of content are impressive. According to many visitors, the “three statues” in the ancient building of hongmura are described as “the best and the best in heaven”. In 2006, the three sculptors of insignia were elected to the country. LevelIntangible cultural heritageRepresentative list of projects。
Wang dhoon, a native-born villageman, was given a unique plot of the three sculptures (jiggles) from childhood by his grandfather. And he went 37 years along the path of the three sculptors of insignia. Wang dhoon has also set up the sculptor's sculptor centre, dedicated to the art of sculpting the sculptor, and dedicated to the development of the sculptor's skills. He said, "let it flow like the water of the village."
The three sculptures of insignia, which were engraved in the architecture of the insignia, were dominated in ancient times by the scenes of human culture, ancient history and play stories. For decades, wang dhoon has kept up the positive innovation, and this year's anhui chun evening scene, he showed the audience with his fine insignia carving skills the newly created arhui state carving. The work is made of traditional crafts, finely carved and nuanced and culturally diverse。
Wangdehun said that the ancient buildings of the village were filled with “three statues of the insignia”, which had been forged by a generation of the people of the village. In the future, he hoped that hakumura would continue to protect, inherit and develop the three sculptures of insignia。
