This newspaper's reporter yang yuhua, liu miko, wang hae moon
Pink wall deva's head wall, sculpted beams drawing a window。
It's the most beautiful thing in the world. The houses, halls and plaques, known as the three kingdoms of insignia, are shown to be interesting with the quest show, and the carvings, stone sculptures and brick sculptures, which are the best in the world, are the pen that binds people to the ancient state culture。
More than a thousand years ago, the hard-working insignia was shaped by mountains, water, crowds, and created a single insigniaAncient buildingsIt became a symbol of china's ancient architecture and of china's national culture. Today this ancient building, which has passed through the millennia, is rekindling its protection。
It's ancient beauty
The north side of the mountain, the south side of the stream. To the world known as the chinese countryCultural heritage(a) the ancient buildings of the city of hwangshan, anhui province, between the mountains, are so plentiful and pristine that they come together in mountain waters, as if they were chinese paintings。
There's the saying "no house, no flowers." the three statues of insignia are one of the most representative building elements of the emblem building, the history of which originated in song dynasty. From the beginning of ming yuen to the beginning of qingmu, the zhuo xinwen emblem merchants returned home to build houses, build zhong zheng zheng zheng zheng zheng and build zheng zheng zheng zheng zheng, which were renovated with three sculptures, forming the adornment of the emblem architecture。
“it may be said that the `building three sculptures' of the art of decorative art and the architecture of the main structure have led to the creation of a distinctive, fratricidal, traditional insignia.” he was very pleased to say that he had hosted dozens of traditional building and gardening projects, such as the construction of the spring hua park in germany and the restoration of the palace of the land, and had a deep attachment to traditional buildings in the land。
The ancient dwellings are considered to be the first of the three, with more than 140 ming residences in the hsu village, and the large residential buildings called the “house of homes” and a mass of wood sculptors in kyozhou. In the former halls to the east and west, from the inner courtyard to the library hall, it was as if it were surrounded by carving art。
The sculpture of the beams, the beauty of the animal, the garbling of the petals, and the incision of the tree sculptures are a natural thing. The cyborgs, the sculptor, the sculptor, the sculptor, are everywhere. A carving of the tang zhong zheng banquet in the front beams took all the activities of the zhong zhong zheng to the feast, and even the small acts of burning water and drawing ears were the best。
The eye was turned to the door covers, the door buildings, the roofs, the poles, etc., and a few grey brick sculptures were put in between. On the thicker bricks, the sculptor of the sculptor of the inglécan state did an extraordinary job of sculpting through layers, causing the movement of characters and buildings to erupt. Whether it's a horsewalker or a small bridge, it's a real, real image。
"the three statues of insignia are of a strong drawing nature, thanks to the new signage." in the eyes of seo dae-jin, vice-president of the emboss house, who studied the emblem architecture for many years, a piece of a brick door, a stone sculptor window, a wood sculptor “lives” at the fingertips of the tradesmen of kyushu。
Walking away, looking back to history, a beautifully strutted shop of stars scattered between ancient villages, spreading pride and glory among the insignia. It is one of the building cultures of chinese identity, and from confucian thought to chengju science, from territorial culture to artistic form, it forms a unique human landscape with its deep cultural base. The stone sculpture of the three sculptures of insignia is well represented in the plaque, where the beauty of the culture of insignia is painted with knives and stones。
It is known as the “town of the plaques” in the ancient city of zhengyang, the capital of kyuzhou, and the zhu qi qi zhuan zhuan zhuan zhuang, which have been in the middle of the country for more than 500 years, and which is the only “eight-foot workshop” that exists in the country, reflecting a very high level of skill in the construction of the zhuang zhengyang zhuang。
“the stone sculptures are mainly used for the decorations of the pillars of buildings, doors, walls, plaques, etc., but they do not limit the expression of individualized carvings by virtue of the material themselves.” take a closer look, every platinum on the stone mill, every arch and freckle, is carved with fine carvings, and 12 lions are trapped above the rock in different forms。
For thousands of years, the three craftsmen of kwokzhou have left a large amount of ink on the history of china's architectural and artistic history, using the technique of artistic expression, "the writing of god in shape and the preparation of god". In 2006, the three statues of kyushu were included at the first national levelIntangible cultural heritageDirectory. In 2008, traditional residential construction skills of the emblems were added to the national list of intangible cultural heritage. The question of how to keep traditional skills alive and “live” the emblem building has become a concern for many。
"brick sculptor is extremely critical in order to sculpt the parts of the picture, to draw the depth of the image, to determine its proximity and to engrave the contours..." the 75-year-old brick sculptor, a non-genetic national heir, is teaching brick sculpture to students in the working room of the anhui provincial school of directors。
The school’s insignia institute of guangcheng industries was included in 100 innovative efforts in the city of huangshan in 2023, and introduced over 20 masters of the “national name” to teach themselves to develop non-remnant talent. “as chinese traditional culture returns, traditional skills need to be transformed to meet the needs of different groups.” he is exploring and working on new ways to create time-sensitive works that fit into modern life。
Culture
Building is a solid music, a culture of enrichment, a vivid history. As liang sung once said, the building of a nation is a reflection of its material spirit and its subsequent appearance。
According to kim zhongmin, a fourth-level researcher at the world cultural heritage centre in zhuang county, the logo dealer, jia for good confucianism, has injected his own vision of the layout, interior decorating, a distinctive emblem architecture, and a spiritual light of the emblem culture。
It is like entering the archaeological art gallery in the historic and cultural village of buiyang, china, where eight maze-like emblems of the ancient people's residence — the “standy eight” — stand out. The g-8 was built in the middle of the qing dynasty and was the home of an eight-brother with a total of more than 20 single-body buildings, such as the "i love you" "i love you" and a typical representative of the emblem complex。
At the centre of the western delivery village, known as the “mixing people's museum” in china, a building called the “doctor's no.” became a hot spot for tourists to “play cards”. The walls of the building were artificially cut off and the side embroidered building deliberately took a big step backwards, with the stone sculpting door engraving “a step backwards”。
In the west, such construction techniques are not uncommon, and behind them is a talk of beauty related to insignia and culture. I've been told that during the years of qing dynasty, hu wen returned to west china to repair in view of the difficulties involved in the collection of goods by merchants, the family took the initiative to cut the corner of the wall outside the house by three points and to retreat half a metre behind the perimeter of the side door and to warn the latter “to keep the sky and the ground and make peace between them”. This practice was later replicated in the neighbourhood, and the construction form became a physical witness of the “and” culture of the badrian region。
And what's interesting with the word “retrogression” on the front of the door is the link in front of the hall between “silence and calm, step back”. This culture is a major feature of the emblem architecture. The incoherence or speech, or farming, or pedagogic, or pedagogic, simplistic and deep-seated language shows the penetration of confucianism into buildings。
"true is left in the air, and peace is in the sky" "a book of poems and scriptures, filial hymns" in the westward, a private residence is entered at random, with wooden or bamboo links hanging on both sides of the compound and hall. The small courtyards, which are very popular because of the existence of the association。
“culturalism is an expression of the culture of family culture in kwokzhou, where more than 300 families in the village have inherited their ancestral family. In the halls of his family, the united high union holds the light of thought in the traditional culture of the canton of the country, the ruler, the pedagogue, and the expression of the will.” zheng zhiyan, director-general of the people's party party of the western tsang township, said that in huangshan, the ancient people's homes and buildings were a living place for moralism and a heavy vehicle for moving from theory to practice。
The house of hu's home has now been renovated, the table of the nine-thought hall is in the middle of the hall, and the table of the concert, which used to mean “reunification”, has been interpreted in the well as being a more profound “and table” as a “retroactive” mediation workshop。
"two half-turned tables are woven together, and the creeps are lifted." the twenty-fifth grandson of hu wenzheng, the chief secretary of the western delivery village party and the head of the village council, is mediating disputes between villagers over the lighting of houses, drainage, etc. In the end, the two families, after analysing the pros and cons, put together “and table” and “and tea” together, and signed “and union” agreements, holding hands in a full sense of ritualism。
In recent years, a search has been made for the source of social governance and the code of creativity from the excellent traditional culture of the canton, and the innovative "retrogressive work" method of grass-roots social governance introduced by huangshan city has been promoting grass-roots governance as a “further step forward”, using a “wind of humility” to promote conflict resolution and activate the effectiveness of grass-roots governance. “this kind of ‘peace’ is everywhere in our insignia and has long been the emotional identity and moral habit of our locals.”。
New age
In a factory at the huangshan cultural industrial park, a large log is being shown as a “disturned drifter”。
At the workshop, after the crafting and fine engraving of various craftsmen, these components, such as logs, arches, hangings, wind windows, etc., from africa, which are built as emblems, will be sent to cultural neighbourhoods, parks, tourist attractions throughout the country and will be assembled as full emblems at the site。
When the old house encountered a “new industry”, a new chapter of the legacy of the ancient buildings of the kyushu region began。
“accompanying the ancient construction of the insignia, thousands of square metres of ancient construction consists of tens of thousands of components. As a result of the dilatory structure of the emblem building, the construction of the emblem building could be completed quickly in a different location, which would also allow the emblem building to evolve from a cultural landmark to an innovative industry.” according to wu jianjun, the production base of the classic garden and forestry construction company, inc., anhui province。
As one of the bases of the assembly construction industry in anhui province, the company's emblem-building projects spread throughout anhui, jiangsu, chongqing and guangdong, with a value of over 20 million yuan in 2023, and several new major projects will be launched in 2024。
With the growing emphasis on traditional culture and the renewal of cities in recent yearsRural revitalizationThe process has been accelerating, with a new wave of development coming from the emblems of the culture of the insignia, and a new “spring” coming from an increasing number of ancient construction practitioners like the wu jian jun。
“the demand for ancient construction is now rising every year, and the development and rural renewal of the brunei brigade offers the best opportunity for development.” hongbao, general manager, quizhu park tourism investment ltd., huangshan city。
According to data from the huangshan city building authority, 254 enterprises are involved in the construction, preservation and use of antique buildings, parts of antique construction, and various types of industrial chains for the creation of antiques, with more than 14,000 ancient craftsmen in the canton of kew, and the emblems are radioactive to 25 provinces, autonomous regions and municipalities directly under the central government. In 2023, the city-wide emblem industry produced 2,824 million yuan, an increase of 56. 5 per cent over the same period。
Pang, chairman of the board of directors of the huangshan gardens building co. Ltd., who has been fighting with the old house for decades, is trying to make the old house more responsive to the needs of modern people. “one of the distinctive features of the emblem is a well for light and ventilation, but it's cold in winter, where we have designed glass masks with remote switches, which can be regulated according to the needs of different seasons.” pan peace says。
The growing participation of young people also increases the possibilities for this seemingly “old” industry。
In the west creek south-east ecological camp, located in the south-west town of west creek, hoangshan city district, the camp manager, shin haewen, is directing a group of children from jiangsu to build the logo lego。
At an altitude of approximately 1. 7 metres, this model, which is based on the prototype of the “green kiosk” of the local mingqung building, is reproduced at a scale of 1:3, consisting of approximately 150 components, and a group of children will need to be built in approximately one and a half hours。
In 2019, members of shin haewen and the team, who were engaged in research tours, in discovering the elements of the west creek south identity, took note of the village's ming dynasty architecture, the “old house” and the “green kiosk”, with appreciation and affection for these “old houses”, a group of “after 90” young people who decided to model the ancient structures and integrate them into their research activities。
Shin haewen stated that this interactive and experienced research and study was well received and that to date they had received nearly 5,000 students from all over the country。
The huangshan city is also building the foundations of the ancient industrial development。
“the archaic industry of the emblem is, at its root, a form of expression of culture, which is viable. In the future, the emblem architecture can be integrated in the direction of the national winds that young people like, moving in the direction of furniture and decoration, and can be an experience of new business situations such as games and meta-cosmos, with great prospects for development.” the secretary-general and director-general of the department of housing and urban and rural construction of huangshan city said:。
