An antique
For example, the pattern of deformation of the petals (commonly known as “eight-yards”) used in metallurgical porcelains has evolved on the basis of porcelain decorations, in particular the appearance of charades such as bouquets and charades, opening a new era of china decorations and breaking the monochrome of the past. The inventions of various colours have enriched the decorations of the china, and the emergence of each decorative method has its origin, growth and development, which can also be inferred from the age of the instrument. For example, early cyanide, cylindrical reds are less beautiful in metagenic products because they do not yet have sufficient mastery of the characteristics of the raw materials, and the reds of the cylindricals are often grayed or turned into brown or gray and even scattered defects. But most mature ingenuity, red-coloured layouts, not only focus on primary coordination, but also tend to use multi-layered and continuous bouquets, regardless of the fact that many of the rocks and flowers are left outside with a blank line that is not coloured, creating a unique style. By the middle of the next generation, such drawings have been phased out, albeit sporadically, but few. Moreover, there are different epochal features in the drawings, due to the limitations of the ingredients, such as the fact that at the beginning of the beginning of the year, some of the china that made the importation of the chromosomes, which, while well-related in colour, are highly unstable and inappropriate for drawing characters, and that, as a result, there are fewer characters in the metamorphosis, as well as the so-called “young generations, no one, no more women and more men”. As for the climax, although colourful and cute, it is also limited by raw materials and technology, with the disadvantage of the so-called “flower-free and leaf-free”, and the characters, male and female, aged and under age, are dressed in a single dress for four seasons, with no coloured garments and different colours. Similar to these, which can be seen in the edifice of the era, which is often ignored by later generations of imitations, nature can help in the identification of authenticity。
