This set of works is a set of twelve screens, the queen's episode in the church of the ancients, which is part of the contemporary genre of the french queen, the quintuous winning, and the chinese philosophy of life, which offers both pentraction and proficient writing, and is a practical and artistic work of the library。
From a book perspective, the work is written in a book, between a book of example and a lawn, and the flow of easy-to-seek and a book of example is best suited to writing short sentences and a human word. It's done with a pen round, less swords, more and more, more and more, more and more. Long stretches, short drawings, short strokes, round turns instead of hard folds, and there is no hard corner. It can be seen that the writer has made a strong post and has been able to make a difference。
In the end, the font is wrong in size and does not deliberately seek absolute completeness. It's kind of nuanced, it's a steady medium, and it avoids flat. The in-house insulation of words is clever, stylish and short, such as the words “drinking, silent, perceptive” and the parts are impervious. The schematic layout is the largest highlight of the screen: each piece is a stand-alone piece, two rows to the right, one to the right, one to the left, one to the right, one to the bottom, one to the top, one to the bottom, and the whole breath is unified when 12 rows are rowed, each being linked, with pen to the ink, light to the ink, high coordination of the drop position. Each left-hand drop-down, book-reading and body-word contrasts in size to balance images with complementary information, and is the classic paradigm of the traditional screen. The ink is warm, the wet changes are restrained, there is no big ups and downs, the ink is silent, and the text is free and self-sufficient。
The reading of the text is a philosophical combination of body improvement, tea, reading and reading, and is the motto of traditional human life. The words “indulgently drunk” and “indignantly intoxicated in their hearts and minds”; the words “three cups of wine in their misery and a pot of tea” and the way in which they have settled their minds and minds in the world; the words “in the mountains to watch the days and days of the clouds and to learn the life of the world”, “indulging in their hearts and minds”; the words “in their hearts, in their hearts, in their minds, in their minds, in their hearts, in their minds, in their hearts, in their hearts, in their minds; in their hands, in their arms, in their arms, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts; in their breasts, in their breasts, in their hearts, in their arms, in their arms, in their arms, in their arms, in their arms, in their hearts, in their hearts, in their hearts, in their hearts, in their hearts, in their words。
The whole set of contents, ranging from the idleness of mountain tea and wine, to the pursuit of a sense of understanding, ends up in the province, moving forward. Words are not empty words; they are the wisdom of chinese life: to be busy, to be quiet, to read, to be careful and to be careful. The calligraphy and the text are in each other's watch, and the text of the tautology match these simplistic words with a high degree of consistency between the ink and the text spirit。
It is, of course, from a technical point of view and objective, a literary book that pursues elegance rather than strong visual shocks. The strength of the line is implicit, and the personality is in the right direction, with its etiquette and elegance, suitable for the halls, the study, the words, the words, the words, and the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words of the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words, the words of the words, the words, the words of the words, the words, the words, the words, the words, the words, the words of the words, the words, the words, the words many of the bookrooms of our time are devoted to eccentricity, a work that goes back to the traditional scribes, and which is silent and unsuspecting, condensed into 12 screens of the aesthetics of reading tea and of life in the east of the province, as if it were an ancient hall, a silent reading union, and a constant taste。
