This group of calligraphy works, based on grass, is compatible with the smoothness of the book and the distillation of the books, and covers such topics as body mechanics, philanthropy, persuasion, tea, succulent, residential lingua franca, and is well-rewarded and ink-rich, and is a contemporary model of practical courtigraphy that is both visual and popular。
At the book level, the core of the work is the lawn, which is a scribble of the books, the magic of the lawn, the entanglement of the lawn, and the path of the `grassing, writing and bones', which is popular. The linebook guarantees text recognition. Even with a simplified draft, a brush-to-touch link, ordinary viewers can easily read the text, and the practical attributes of competitor halls and home decorations. The linebook releases pen inkiness, crosses between words and words, breaks the smooth and smooth layout of the model book and gives the entire text a flow of rhythm。
In writing, it's good with a pen and it's hard to push up and down. The beginnings are sharp, the pens are thick and solid, the turns of the prescriptions are ready, the turns bring out the flow of grass, the fractures retain bone strength, and the lines are not weak. The fine changes in the lines are so sharp, the ink is so thick in the heavy pen, the drawings are so thick and full, the fine pens of the tow strip are so light and soared that the surface is so full. On ink processing, the ink is full of ink gas, thick ink, very few pens and whites, gold fonts with different background colours, very strong visual impact, warm ink, no dryness, plentiful pen ink and happy text themes。
The crossword layout is the highlight of the work. The font size is wrong, the hyenas are proliferating, the word size is not deliberately sought, and some of the words in the same picture are sprawled, some are condensed, others are echoing. The layout of the chapter is mostly vertical, following the traditional writing paradigm from the right to the left of the clerical law, with the rows being kept between the columns, and the word space being co-opted. Each left-hand note, “at the age of the day of the summer/autumn”, is kept in two square seals, which are printed in the form of a copy of the book, the text, and the stamp is placed in the form of a copy of the book of traditional calligraphy. In the middle hall, in pairs, in bars, and in many forms, the characters of the joint work are extended to the atmosphere; in many columns, there are many rows of rags, which are consistent and complex; and in life-long subjects, the main characters are strong, the subtext is small and the main lines are clear。
When it comes to the word-forming, balancing the law with the modern aesthetics, some of the drawings are moderately artisticly exaggerating, reinforcing the visual beauty, but not prejudicing the sketches, most of which follow traditional weed norms and combine artistic and generality. Different from the brevity of the ancient mantra, the book is more amenable to the adornment of the halls, the pursuit of visual tension, the platitude of the pen, the strength of the surface, and the effect of the stereoization, which is more suitable for the modern home, the clubhouse and the tea room。
The content dimension, which is rooted in chinese traditional folk culture, is divided into several broad categories: “to live in a world where there is no good, no good, no good, no good”; “to live in a world where there is no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good, no good. Words are easy to understand, and the traditional confucian family is well-meaning, well-serving, hard-working, home-making, so that it can be converted into a popular gendarme and a popular reward。
The traditional calligraphy has a lot of ancient linguistic writings, and this group has a large number of self-written lingua franca, transforming the nuclei of traditional culture into words of appreciation that the present generation is willing to hang, pens and ink services, luxurious and wide-blancing fonts that match the glamoured text, pens and text spirit. Weaknesses in the united states, as decorative calligraphy, are more visual, less intuitive, more aesthetic, more intuitive, and more intuitive。
On the whole, this law of calligraphy, with its roots and traditions, is aimed at the general public. It is well developed and diverse. It integrates the arts of calligraphy and the culture of folk culture. It combines the artistic beauty of the lawigraphy with the great promise of the nation's family, virtue, career and happy life. It is a contemporary writing of appreciation and practicality。
