On the afternoon of 14 december, the special concert “commemoration of the centenary of the death of the great french composer debusy”, sponsored by the french association for the culture of european music and music and co-sponsored by the vivi centre for music and culture of paris, seiima, international art education in central europe, was held at the magdalena cathedral in paris。
The concert was organized according to the age of the composer debussy, beginning in the early days of debussy, and as the song changed, the music career of debussy was described, and the music life of debussy was remembered with the audience, based on the axis of time。
Jean-françois gonzales, former chief violinist of the paris radio symphony, commander of the orchestra, french foundation quiang, recipient of the order of the golden palm, queen zhang zalés, queen zhuang, chief of the chinese-french high school communication project, wang wei, a flute performer of the fathua, qiang, spyros thomas, a greek piano performer, and a korean cellist, jae young lim, among others, participated in the special commemorative concert。
Musicians show off to the audience。
Multinational artists participate in concerts。
The concert began with guo bin's tremors of the pipe organ, and went to zhao's revealing in the water, which was played by the japanese pianist rio sasaki, wang tianqin, a 13-year-old student at the paris conservatory of music, who played dr. Barnason in the “children's garden” created by debusi for his 5-year-old daughter chouchou, the queen flute player, the queen lee joo-jun, and the pianist xie, who performed from 1880 to 1913, respectively, followed by the successful endings of this concert by the outstanding performances of the 3rd deok-sein piano by the famous piper wang wei and her wife, and by the great performances of the artists。
The soprano lee ruo is singing。
The pianist huo used the caesarsburg piano with the flute player wang wei。
It is worth mentioning that the chinese poetry at the concert brought the chinese poetry culture to many french viewers, so that they could look at both familiar french and pure chinese music, making it easier to find similarities in east-west music。
The concert is known to have received strong support for the chinese piano, which was played for the first time by the madlena cathedral in paris。
(european times reporter wong zhang jie from paris)
