The construction of han’s anemu era, wang qian, chen lin, xugang, nguyen dynasty, liu qian, has inherited the realism tradition of han lok’s folk songs, which is widely spoken in five languages, well known for their strength and generosity, and has created a unique style of “building peace” in the history of literature, which has been honoured as an example. Whether it's the father or son of cao or the son of xian, it's been a long time in the riverland, and this stale style is closely related to the culture of the river. The term "wind" was first used extensively in the reviews of the characters of wei, jin, and the south, and then quoted in the literature and literature reviews. As for literature commentary, when south tang liu yi's "the dragon of the heart" is the best: "it's always the wind that tells the story; it's not like you're going to say it before the bones. So the bones, like the trunks of the body, the wind of love, the stale air. It's straight, it's thin, it's flat, it's flat. “it means a straight line of words combined with a glamorous mood to form a “windbone” with a strong ethos and art. The wind, the life of the article and the inherent infection, and the bone, the expression of the article. The final year of han ting ting was called "building peace" (96-220), and the period of peace in the history of literature was the period of construction of ann to wei. The writers of this age, who have gradually moved away from confucian ideas, and have focused on the semantic nature of the work itself, together with the often more generous emotions of the time in the midst of war and turmoil, have created a great number of literary works that have become rich in content and emotional in nature, which is often referred to as the "building of the culture of peace." the characteristics of the construction of peace literature: first and foremost, realism. As cao cao wrote in his march to the sun, "only han ii, who is in bad hands, is a monkey-skinned man, who knows his land. "the traitors have taken the life of their country, and the lord has killed woo kyung. The emperor's land was destroyed, and the temple was burned." ... Rejealous of what went wrong, dong zhuo. The artemisian show describes the majestic struggles between men and women, which have resulted in the death of soldiers and the loss of life. Poetry depicts the tragedy of the soldier: "the lice of the nails, the name of the man who died." "the white bones are in the wild, there are no chickens in the air, there are no human beings, there are no human intestines!" it is also sad to see cao's story of the destruction and destruction of luoyang: "the walls are all in place, the thorns are in the air." "there is no smoke in the middle of the country." it's not the same. In this desolate scene, there's a sense of sadness, of the sadness of the author, of the sadness: "remembering my usual place, i can't talk about the knot." it's not like it's gonna happen. In the next generation, the two poems of cao cao were evaluated as "hampocks" called "history of poetry." the second is emotionality. From the point of view of the resignations, the content of the previous resignations in the construction of the peace was to celebrate the remembrance, and in the time of the construction of the peace, it was to celebrate the remembrance. According to the development of musical poetry, han's folk songs are dominated by narratives, which are used in the hands of peacebuilding writers. Cao cao's words of "pity and pitifulness" were followed by "pity and generosity". Cao cao's short singing line, "what's life like singing about wine?" like the dynasty, going to hell. “expressing the bitterness of “lifeless” in times of chaos. But this short-lived sense of life is based on the fact that i don't have to build up a business in time, and i'm going to hire the literary giants, the sancho, the seven sons
