Summary: as mr. Chen yusheng said in his book, "truthing about sanctuaries is a unique feature that combines many forms of art, and it is a unique and self-contained one that has achieved a new cause of singing big stories with a common tune, and has become a great performer of my country's chorus and drama." singing is a hymn that combines music with poetry, a chorus that combines music with drama, and a fine piece of song, dance and joy. It is a unique treasure in our literary history and in the history of theatrical art, and it deserves to be inherited and constantly studied。
Keywords: talk about the twilight style
Talking about sarcasm is the product of a combination of human thinking and folk art, and is a unique art variety that combines human thinking with local characteristics. Over the course of more than three hundred years of circulation and development, it has drawn on a variety of musical ethos and has been processed and enriched by many folk artists, creating its own unique “one book and two bodies”, the style of rap and drama。
I. Stylish characteristics of the language of the song
All 15 songs written in the bumpong age are written in white language and in the native language of the shandong river, with unique linguistic styles. In those years, literary creations were written in words, as rare as tamarinds. It's easy to understand and interesting to talk about sarcasm music, which is popularized in its language and rich in its local character, making it an art and literature popular among ordinary people. As her son said in the willow springs public statement, “let's sing in the streets, seeers and smellers and weepers” is an indication of the universal nature of the song that is accepted by the people. To this day, on the annual spring festivals and other festivals, there are also traditional songs singing in the village of park. The chorus language has the following characteristics:
General
It draws extensively on and uses white language, dialects, proverbs and hiatus in the lives of ordinary people, so that the language of the song is simple and easy to understand. The use of these dialects fills the syllables with rich local features and the aroma of clay, making the local population more friendly and contributing to its spread and development. The vivid depiction of the folk language in the song, as zhang said in junyuan, "i ate one day, i ate it." a bowl of juice, a spicy spicy spicy, a little girl in our house, with salt for lice, zachu's good day.”
2. Image
The song is good at expressing the image of the person through the language, which characterizes the language. Accurately target the character of the person and use language that is appropriate to his or her image so that the viewer can see the image of the person. Images of civilian, peasant intifada leaders, corrupt officials, women, etc. Are portrayed in different languages, making the image of the person alive and visible. As the chinese flute described in pang lai, "where the gods are under nine, the handsome face is like a flower." pity, a bit of wind in the eyebrow. Her body is soft, her waist is squeezed, and she'll look good. Butterflies were blown by the wind and the flowers were swayed by the moon. Oh, my god, to draw a soul, to teach a man to lead a soul." this language is both popular and elegant and very relevant to the image of the person depicted。
Civil style
The symphony in the vernacular vernacular language of the person gives the work plain folkism and a country style, and the use of liners and liners makes the depiction more flexible and spoken, with its strong local character. For example, in "the crying king," "wi-wi-wi-wi-wi-wi-wi-wi-wi-wi-wi-wi-wi. Good husband and wife, both of them. You see how a slave is a human being
Ii. Type director factives in the context
Slices, also brands. It is based on han wei's hall, tang song's song, and the golden play and the dissemble. Of the 15 sacrilegious sacrilegious songs, over 50 are used, 34 are clear, 17 are north and south, and there are others. With so many syllables, the unique style of talking about syllables is analysed in detail as follows:
1. Sources of syllables
It is mostly popular in the past, even in tang song and the north and south, but only in their names or in the popular north and south, so that the character of the bright and clear tune also forms the main style of the song. It is based largely on: (i) the song from the mid-middle of the ming generation to the qing dynasty kang hee's folk roll. (ii) the syllables absorbed by the chorus. (3) the small tunes referred to in the literature of ming dynasty and qingyu (until kang hee). (4) some local earth-cracking。
2. Concord style
They all have their own unique style, the four most representative songs in the selection. Cards
I'm a kid
Ginnisth
Collapse bridge
Yutaro
We're going to analyze it one by one. Of which
I'm a kid
It's the most used and the most representative of the tunes. Its music is lamented in its narrative, and it forms a vocal style. The style is different from the general folk songs and music, and it has the characteristics of speaking, singing, flexibility, adaptability and performance。
Ginnisth
The entire symphony is repeated or changed by the dominant music. The song is therefore both uniform and flexible. The use of loops and fixed lines at the end of a musical song, deepening feelings and summing up the whole song, makes the whole song interesting and greatly enhances the artistic effect. Curve
Collapse bridge
It's a plume, it's long, it's long, it's deep and it's soft. Collapse (folding), break (stopping in melody, break) and bridge (bridge with line, connect to music) are unique artistic features of the deck. This song has a chubby little color。
Yutaro
It is a fine, pristine phrase, one that unites and changes in change. Its tunes are bright, soft, smooth and smooth, and they are the tunes of the most vindictive themes of the song。
From the above analysis, it is not difficult to sum up the commonality of the syllable style, namely: (1) narratives combined with affection, melody and art. (2) curvatures are simple, refined, variable and multidimensional. (3) concords are rich and colourful. (4) the generality of music and the traditional way in which music is written。
Iii. Style characteristics of the syllable
Conversation about sarcasm is a composite form that absorbs the multiplicity of voices at the time of clarity, and rapping is a prominent feature of it. Singing is white, and it's hymn, and the unique style of one book and two, the fork makes it both rap and dramatic. The sacrilegia is dominated by a sacrilegia with a southern sacrilegia, which combines the north with the south with the time, and is distinct from the quadratic system (i. E., the quincy, the high cavity, the scaffold, the yellow cavity). It is characterized by universality, epochism and inclusiveness. Although it is a collection of a variety of vocals, it is an absolute advantage in the performance of actual folk songs, which are usually performed in the local languages of shandong, which highlight the folk and country style of music. From the above analysis, it can be seen that the symphony is based on the sound of the clear symphony, and that it was widely accepted by the public at the time. As was written at the beginning of the compass of mercy: “the word of love is entwined and the heart of the wicked is moved”, it shows the generality, the age, the inclusivity of the song。
Iv. Implications of the truth
The talk of sanctuaries is a great piece of popular art based on white language and the native language of shandong shuchuan, which is the most popular piece of art in a clear time, and which has an impact on the various artistic bodies of the time and on the development of future theatres and folk songs. The song is written on the subject of living content, describing mostly the daily lives of the people and the hot spots of concern. It also expresses the progressive world view of the author. The author was at the forefront of the times and demonstrated the emergence of anti-false democratic ideas in the transformation of social development。
The oralization of the song language gave fresh air to the literature that then dominated it, so that the song could live in harmony, and so on。
The song, which is based on a clear-cut song and a symphony, inherited many elements from tang dynasty, the roll, the tangse, song, the drums, the singing of earnings, the courtesies, the melodies and the melodies, made a significant contribution to the heritage and promotion of the traditional chinese culture and art, and added its own innovations on this basis, making the symphony a “one book and two-part body”, both of the character of the rapist music and of the first form of the theatre, with some impact on its subsequent development. Many of the songs in the song are the masters of the chinese national song, from which many folk songs are produced, such as jasmine, which spread throughout the world, which is the "cutting tea" in the song of the year, and thus has a significant impact on the development of the chinese national song。
