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The normative requirements of the five-seven-legged poems and the final sentence

   2026-09-28 NetworkingName1410
Key Point:Here is a detailed step-by-step explanation of the normative requirements of the five and seven poems:I. Basic concepts1. Five and seven wordsFive words: five words per sentence, such as "li bai"。Seven words: seven words per sentence, such as "the white cloud" (li bai)。2. Words and poemsThe final sentence: four sentences (five/seven), as in the case of the pepsi building。Dictionary: eight words (five/seven), as in spring hope

Here is a detailed step-by-step explanation of the normative requirements of the five and seven poems:

I. Basic concepts

1. Five and seven words

Five words: five words per sentence, such as "li bai"。

Seven words: seven words per sentence, such as "the white cloud" (li bai)。

2. Words and poems

The final sentence: four sentences (five/seven), as in the case of the pepsi building。

Dictionary: eight words (five/seven), as in spring hope。

Ii. The peace rule

1. Flat division

Gourd: flat ( flat), top/go/in (sing)。

Sound: sing/sing (ping), upper/go (ping)。

Words of entry** require special memory (e. G., “white” “country” is silent)。

2. Periodic template

Five basic sentences (in the second sentence):

Quest: zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zilong, zhi, zilong, zilong, zhi, zhu, zilong, zilong, zilong, zi, zhi, zhi, zilong, zhi。

Flat: flat, flat, flat, flat, flat, flat。

A five-tongue rule

Seven sentences

Queue: flat, flat, flat, flat..

-step: flat, flat, flat, flat..

3. Prohibition and redress

Lonely flat: only a single flat in the sentence except for the hymns (to be adjusted, e. G., for the words “twilight flat” read “twilight flat”。

Three bells: three squares at the end of the sentence (e. G. “performance”); and three at the end: three at the end (necessary)。

Iii. Combat requests

1. The fight against poetry

The hyena (third-fourth sentence) and the neck (fifth-sixth sentence) have to work together。

Example: duf's spring hope

“down with tears in the senses, hate birds,” “hate with the feeling” and “flower” with “birds”。

Cervical link: “the fire is three months long, the house is worth a million dollars” (“the fire” versus “the home”)。

2. The ultimate battle

It can be fought against either (e. G. The king's landing white house) or not。

Iv. Rhyming norms

1. Racing foot position

The end of the sentence must be hymn (the first sentence may be set free)。

A five-tongue rule

For example, li baek's "silent nightingale" has the word "frost" (singing)。

2. At the end of the spectrum

It is not possible to change rhymes, but to use the same hymns (gui's hair rhyming, which can now be used in china)。

For example, dubert's spring hope has “deep” “deep” “heart” “gold” “synthesis”。

Refusal

Repeated use of words (except for superscripts, e. G. “where”

V. Structure

1. Commutation and conversion

From: point of view of the theme (e. G., “the country breaks the mountain river”)。

(a) take: deeper depiction (e. G., “the depths of urban spring and grass”)。

Turn: introduction of emotion or transition (e. G. “flaming fire in march”)。

It's like, "i can't believe it"。

Fake combinations

It's like wang wei, "after the new rains of the air mountain" and "whatever happens"。

Vi. Classic examples

1. Five words:

The sun is full, and the yellow river flows into the sea。

````

A five-tongue rule

Psst: psst, psst..

Fight: the first two lines are right, "the white day" versus "the yellow river"。

2. Seven words of words and words

````

The wind is high, the apes mourn, and the white birds fly back。

I'm not going anywhere。

It's been a long time since i've been sick for centuries。

It's hard to hate the frosting, and it's a new stop。

````

War: four uniteds against each other。

Symphony: the poem says "comfort" and "come" and "cup"。

Vii. Creativity advice

1. Multi-reading the classics: 300 books of chinese poetry, imitating famous family structures。

Tool aids: use of flat-screening tools (e. G. “my love network of poetry”)。

Flexibility: allows rescue (e. G., “no” in “unfinished wildfire”)。

It's..

Having mastered these norms, it is possible to gradually write a poem that is in line with the good book. First school can imitate and then try to create freely

 
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