What is peace
What is peace? It's the "high-down-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up-up rule" for reading poetrys like music. Flatness is a term in the hymn of poetry, flat sound, flat sound (first, second sound of mandarin, such as “the sky, rivers”). (c) shouting, short sound or up and down (third sound in mandarin, fourth sound, such as “sea, moon”)。
The poet divides four into two categories: flat, flat, three. It's called "unequal."。
In the chinese spelling (new rhyme system). In the chinese spelling scheme, the chinese characters are divided into the plains, the brights, the uppers and the offs. Among them, the words in plain form (the first, the second) are flat; the words without plain words (the upper, the third, the fourth)。
It's flat in the medieval. In the chinese accent, the han characters are divided into flat, upper, upper, upper and four. The same is true for the plains, and for the non-squares (up, off, in). As ancient sounds have changed, the flatness of some of them has changed, and the flatness has led to some differences between the flatness and the sound。
The plain words in the medieval sound are basically divided into the first and second sounds of mandarin, and remain flat; the upper and deling words in mandarin are still basically the upper and off sound of mandarin。
However, a small part of the upper words of the medium- old sound becomes the off sound of mandarin, which is flat; a part of the penitentiary is flat, which is divided into the upper and off sound of mandarin, and a part of the sound is flat, which is flat。
Thus, the “adjection” (e. G., “white, stone, bamboo”) in the goohan language, which reads the flat in modern times, is a sound in ancient poetry that requires special attention。
The flat core of the law. One is a single sentence that is flat. To avoid three or three successive flats, form a rhythm。
For example, in five words, "pretty flat" (right, like "the wind willows."。
Flat and flat。
Second, the last sentence is flat. The first two sentences correspond to the opposite。
For example, in the preceding sentence, “photo is flat” (the “by day and by the end of the mountain”), the following sentence, “photo is flat” (e. G. “the yellow river into the current”)。
Three is hymns. Old poetry is mostly at the end of even sentences, and it rhymes with a flat sound。
For example, the moonlight in front of li baek's nightingale bed is suspected to be frost. Look forward to the moon tomorrow and think back home。
A quick three-step approach. One is the back base sentence. The phrases used in the final sentence are as follows:
One is flat
2 flat
3 flat
4 ping ping
Seven final words: insert two words before the five words, to the contrary。
For example, flat + flat flat flat flat flat flat flat flat flat。
The second is the active use of “one-three-five, twenty-six”. Single numbers (1, 3 and 5 words) can be appropriately relaxed. Double numbers (two, four, six words) must be strictly consistent with flatness。
For example, the original sentence, “the flatness of the flatness of the flatness”, was replaced by “the flatness of the flatness of the flatness” (para。
The third is to avoid the “triple-tails” and “solute”. Three-square ends, three-square ends. Single-handedness refers to a single sound (e. G. “single flat”) in a sentence, except for the rhymed foot。
Classic case resolution. For example, dubert's words
Two willows
A line of white beavers in the sky
The window contains the snow of the west ridge
Go mandarin
Through this final sentence, it is clear that the rule is that the last sentence is flat and the tone is flat (“the sky, the ship”)。
First scholars can assist in learning by means of a check-in tool (“psychological search” or “search-in-the-verbal”). It can also be imitated with duft and wang wai's five-story imitation, followed by a sentence to replace content. There are also trainings that can be done in error。
For some common questions, such as whether the word “one” is flat or flat? “i” is an entry (single) in the old sound, but in modern times it is flexible in linguistic terms。
Someone asked, how do you remember words? The most direct “dumb” approach is to recite common entry lists (e. G. Black, white, stone, bamboo)。
There's also a basic entrance machine: "the sound of the flat is too short, the word goes backwards and backwards." at the end of the rhyme, it must be flat and three squares must be avoided.”
It is essential to read, understand, think and practice more. It's too much to write。
