In the beautiful territory of the yingjiang county, south of tehon province, the zhao people have been born for generations along with other ethnic groups, while the sukshi commune is a concentration of zhao compatriots. In the exchange of the cultures of the various ethnic groups in the long run of the millennia, the indigenous peoples have created an aggressive national culture. Among them, the tamarind dress is like the most shining bead, with a unique charm that bears witness to solidarity and integration among peoples. In june 2017, the “cypriots” were successfully selected for the fourth provincial list of intangible cultural heritage, which is not only an important vehicle for the transfer of national skills but also a living expression of the harmonious coexistence of cultures of the ethnic groups。
♪ i've never seen ♪
The hao women, dressed as a moving artistic anthem, were made up of more than a dozen components, such as headscarfs, blouses and aerobics, and were portrayed as “100 dresses”. These components are made of white, red, yellow, blue and green, and are coated with little silver bubbles, imma, light fruit, etc., and made of more than a dozen fine craftsmanships, such as embroidery, embroidery, embroidery, embroidery, etc., in which the delicate minds of the women of the tribe flow through their feet, as well as the wisdom to learn from each other's cultural exchanges。
The coats were drawn around their waists, the five colours were embroidered, and the edges of the flowers were more moving; the hair of the braids was on top of their heads; the tails of the butterflies were embroidered with a bright pattern of beads and silver bubbles; and a series of manau, amber or silver jade pearls were laid in front of their chests, and the small thighs were laced with black sides. The old days were so barefoot that they were now accompanied by rubber shoes, leather shoes, traditions and modernity. On the occasion of the festival, the women of the quilang ethnic group, who are dressed in fine clothes, are gathered as the spring and day of the day, and as a result of their decorative appearances with the dress of all nationalities, together constitute a beautiful picture of national unity, harmony and common glory。
Behind this beautiful garment is a moving legend. In ancient times, a warrior of the zhu clan was recruited, and every time he made a vortex, he sent home his captured enemy flag. However, in the aftermath of a war, there was no news of the home book — the warriors were blood-stained. Her wife had put together all the pieces sent back by her husband and made colourful clothing. Since then, this dress of thought and respect has become a symbol of heroism, passed on from generation to generation, and not only speaks of the desire and respect of the brave, but also inspires our fellow peoples to work together in solidarity to safeguard peace and pursue a better life。
British martial arts: the fragrance of the tans
The zen men's style is simple and quick, showing pride. The blouse and the blouse, which are mainly black or white, are designed to be heavily clad with fine buttons, partly made up of small silver and nickel coins; the blouse are drawn to the belly of the leg, in the form of payment, and the shawl is folded in black and blue, and the corrugated in fine. A broad or coloured belt, with long pants of black and calves, with red and white-lined legs on the feet, and a white-clothed black-lined chandelier, which is stylish. The men were covered in black and blue heads, long knives and crossbows, and strong in shape。
There is also a legend about the origins of men's clothes. It has been said that the ancestors of the zaqqum went to sleep in the woods while they were running away, and when the pursuits drew near, the rejoicing bellows of the trees squealed, and awakened them in time to help them. Since then, she has been seen as a sacred bird and a blessed symbol, and her people have not only banned hunting, but have made men's clothing more imitated by their feather colours and textures, so that this kind of gratitude has been incorporated into the dress and has been passed on to this day. It is also a legend of peoples who have helped each other, united and helped each other in the long rivers of history, to overcome difficulties and to usher in a better future。
The yingjiang district of tehongzhou has long exceeded the basic function of sheltering against the cold. It is a living vehicle of national culture and a living witness to the integration of national unity. The aesthetic wisdom and spiritual beliefs that unite the san people are also an expression of the friendship of peoples who learn from each other in their cultural exchanges, and of the historical memory and emotional connection of their communities in a single line, which is more a record of the bright journey of nations to work together and in solidarity. As a “living fossil” of the culture of national dress on the frontier, it provides a valuable sample of the evolution of national development, carries with it the unique charisma of time and space, and inspires our fellow peoples to continue to work together in a new era to create a better tomorrow。
